Who the hell saw that coming? Cineverse’s gory, R-rated slasher horror film is expected to be a David vs. Goliath situation between indies and a major Hollywood studio at the weekend box office horror 3 is looking disgusting $11 million+ This weekend, if not more, fully unveils the Warner Bros. bombshell Joker: Folie à Deux from the top position.

Here is the pencil drawing of it all. Disney/Marvel’s fanboy rejection The miracles free fell 78% in its second weekend last November, the biggest drop for an MCU title, after a lackluster opening of $46.1 million. And as you know Joker: Folie à Deux and its D CinemaScore lags behind Wonder (which received a B CinemaScore) opened to $37.6 million, midweek grosses were $1.8 million on Monday and $2.6 million on Tuesday. dollars (for comparison: The miracles earned $2.3 million and $3.3 million in those two days, respectively).

At the bottom end, if Joker 2 assumes a fall of 70%, which means a $11.2 million second weekend, but if it follows Wonder, it would be $8 million or less.

After the US takeover in 2022 Horror 2 For $250,000, Cineverse raked in big money from its nearly $11 million domestic gross, with spoils to boot, including a surge in streaming subscribers to its ScreamBox service. A 2,300-screen theatrical release for horror 3 is scheduled for this weekend, with previews beginning Thursday at 8 p.m. Cineverse has invested less than $5 million horror 3of which less than $1 million was spent on marketing. How is that? The film was only marketed in its Cineverse universe via streaming services, podcasts, etc Fucking disgusting.

We’re already hearing about sold-out shows Thursday through Friday. The question is whether the marketing spend is enough to maintain word of mouth and attract more people. Iconic Events takes care of the distribution of horror 3.

Written and directed by Damien Leone, the slasher film follows Art the Clown as he seeks to wreak havoc on the unsuspecting residents of Miles County as they fall asleep peacefully on Christmas Eve. David Howard Thornton plays Art the Clown and Lauren LaVera also stars. Thirty-two reviews on Rotten Tomatoes are at 88% horror 3.

There are quite a few large-scale releases this weekend, but it’s not expected to see tens of millions of dollars of openings. Sony takes its critically acclaimed (79% certified fresh) film festival favorite Saturday evening wide at 2,300 locations for a possible $3.5 million to $5 million take. The majority of the film’s money went to Los Angeles and New York City. The Jason Reitman-directed $30 million film about the behind-the-scenes madness of Saturday Night Live has grossed $661,000 through Monday on the eve of its first airing, after its platform release began on September 27. The preview will take place on Thursday at 2 p.m. at 2,025 locations.

Focus Features has the Morgan Neville-directed documentary piece by pieceabout Pharrell Williams and told in LEGO form that you can see $3 million to $5 million and more and at 1,851 locations. The film cost $16 million before P&A. Universal conquered the world with it. The ultimate competition at the end of the day is documentaries that end around the mid-teens RBG with $14 million. Pharrell is a big part of the NBCUniversal universe and has been a judge on NBC The voice, He also has his next live-action feature film, the Michel Gondry musical Atlantis, is planned for May 9, 2025 at the large university. This film is based on Williams’ childhood at the Virginia Beach Atlantis Apartments in the summer of 1977. What piece by pieceReviews start at 2pm on Thursday and RT reviews are 91% current.

There’s also Briarcliff Entertainment’s takeover of the Donald Trump biopic in the US. The apprentice Starring Sebastian Stan as a young real estate baron, Jeremy Strong as his infamous mentor as Roy Cohn and Oscar nominee Maria Bakalova as Ivana Trump. Pic is booked at 1,740 locations and is expected to only be available in the low single digits after all the headlines for the Ali Abbasi-directed film, including the Trump campaign’s threat of legal action during the film’s Cannes premiere. Ratings on RT are 79% current. The preview begins tomorrow at 4 p.m.